Working on fixing my site load time and the theme too. Just going to use the Twentyten theme for awhile. It’s quite nice.
You may already know this but I’m posting this for posterity’s sake. John Carpenter (who I am a big fan of) has accepted to do the Darkchylde movie adaptation. Sweet! Down below I have collected the media published so far.
Warning: Spoilers and plot points revealed. Read AFTER movie.
I came out from this movie with a lot of different ideas about the symbolism presented in the movie, but I had no idea there were so many different ways to interpret it until I read the IMDB comments. I will not go into all the other interpretations presented here, but they are certainly worth reading. It’s a story about society, the mind, reality, death, pain, anxiety, love, art, hopelessness, fear and almost everything that can be put in a movie coherently. Not only is it a masterpiece, it was, to me, such a deeply profound movie that it opened up a whole new way of seeing the world, and reality.
I believe most of the events and situations in the film represent abstract symbolic feelings and emotions that can be applied to our normal lives. The train scene can represent the anxiety about death, injury and the vivid imagination we can have about how we die or how scary violent and gruesome events can be. His life there can represent depression and alienation from the unknown world that we are surrounded with, and the train scene can be our fear of death that stops us from committing suicide and thus go back to our less than optimal lives.
It also tells us reality is cruel in its neutrality, it does not know nor care about any living organisms in its path, and its destructive force can be brutal and unrelenting in its ignorance. We as humans must deal with this random reality, and we have to live with the pain and violence that may meet us at some point, and which does indeed strike many people everyday. The way the train stops when Andreas is lying on the tracks tells me even more about how cruel and random the world can be, it doesn’t just let you die, it rubs it in in the worst possible way.
Andreas’ return home as a bloody mess only to be met by a neutral girlfriend who asks if they want to go go-karting can represent the feeling of despair we can feel inside, but are unable to communicate to others nor get a response from them. The hole in the wall can similarly be an abstract hope of all the good things one can experience, the positive euphoric possibilities granted by reality, which is not all bad, but all extreme poles of evil and bad, to good and blissful euphoria. Finally the finger cutting scene is a perfect example of how we have to experience every sensation – brutal pain included, and the desperate feeling of seeing your finger cut off (and the shocking surprise of actually realizing what is happening) but reality remains static and uneventful even so. You are alone, completely alone, in your experience.
The movie tries to be neutral, the way I see it, but there is underneath the obvious dystopia, an even more fundamental despair. The fact that he is left in an icy snow world as an immortal is beyond cruel, because he will feel frost and solitude, but never die presumably. This can also symbolize how some people are completely rejected from society.
The movie was to me extremely scary. It was among many things a psychological and existential horror movie.
I am glad I saw it, but I also regret it, because ignorance can sometimes be a GOOD thing.
After having 3 episodes of somewhat lackluster character development and seemingly shallow storytelling, to my surprise the last 2 episodes have been really good. We are starting to know these people and things are getting more interesting. It’s definitely worth checking out.
So after being completely oblivious to this show and wanting a Shadowrun show for years, the joy and excitement I felt when I saw Batman Beyond today for the first time cannot be explained properly in words. I was expecting a completely different atmosphere when I downloaded it, but to my surprise it was extremely close to everything I imagined a Shadowrun cartoon would have. There’s hover cars, charismatic memorable villains, dystopian-yet-polished like cityscapes, megacorporations and a dark vibe.
There’s a very cool red/orange hue a lot of places, which adds a warmth not normally associated with Batman. The stylized lines and coloring reminds me extremely of Shadowrun as seen below.
I’ve seen this movie many times, and there’s something about the way it’s characters act and how they follow principle no matter how stupid or counter-intuitive it seems. Of course, this kind of thing can be seen in many American movies, but I will focus on ID because it’s the one I know the best.
There are a few concepts that run through in these types of movies. First is love, and then there’s courage, honor and integrity and lastly foresight/insight that nobody else has. First up we have the MIT educated smart environmentalist who never quite made it, played by Jeff Goldblum, who is still in love with his ex-wife after 3 years, and wears their wedding ring. Typically, these types of characters are faced with negativity, this time from his father, who tells Jeff he should move on already. But in due American style, he doesn’t drop his hope that maybe one day he will have her back, and of course he never had another relationship because this proves his love is for her only. We later find out his ex-wife is using his last name in the phone book, and of course they end up together in the end.
There are also several characters that show unusual courage in the movie. The president himself stays behind in the White House, even though there’s a big alien spaceship hovering over them and they could end up with a non-working government. A fighter pilot who has been a disappointment to his kids for a long time ends up saving the world, and of course several people put their own lives at risk to save someone else fearlessly because it’s the “right thing to do.”
Courage and integrity is a big thing in America, and while there’s nothing wrong with that, it is also a bit naive because we are always expecting the hero to sacrifice himself for us. His integrity is more important than his life.
Also, there’s the smart guy who ends up solving what nobody else could solve, and we root for him because we trust him and respect him.
Usually these characters never make mistakes, ever. They usually end up in an argument over how outrageous it is or how it’s not going to work, but then it does work and the silent hero can smile.
These characters are too perfect. Too inhuman. They always put their own lives secondary to everything else. They fearlessly go into deep enemy territory because it’s “the right thing to do” and us, the audience, are left with a distant hope that we ourselves can one day live up to this ideal.
I dunno about you but I want to see a movie with some more flawed characters. I think Children Of Men did it quite good. The main character didn’t have hero qualities of epic proportions because it’s unrealistic. But I still admire this attitude.
I remember back in 99 when I first bought this album. Before then I had only listened to trance and the common club hits, even Spice Girls. I hadn’t learned about all the great music out there. In comes Orbital, and blows my mind away. For a year straight. On my way to school. I had it on literally 24/7 and it really opened up my music taste. So naturally, this review isn’t technical or analytic, because the CD is pure emotion to me.
In retrospect of course I enjoy the high attention to detail, the way every track oozes of effort and talent, but at the time, I had no clue about such analytical things. The CD shoots off with “Way Out”, where trumpets and synth lines morph away in complicated matters, and a beautiful repetitive melody comes into play. Orbital always loved those long evolving tracks, and this CD is no exception. All the tracks feel like a journey on each own, where usually there is a first section, second section and then back to first section. With all the sounds and small things they put in I can’t imagine the amount of work needed to sequence it all, but even so it never gets overpopulated or too messy, all the sounds are placed well and work well.
Now naturally in a review, the reviewer is supposed to compare it to earlier albums. And while I agree that this can be fruitful, in this case Middle Of Nowhere is just different. It’s different in the way that they no longer have as much a theme or a concept with the album as they did on Snivilisation or In Sides. It’s music for music’s sake so to speak. It’s all about the sounds, the arrangements, the climaxes. The title ‘Middle Of Nowhere’ with a pure white cover sort of gives this away before listening to it.
It’s even so extremely enjoyable to listen to, and an album that will forever be a part of my soul. I reckon it’s one of their best…
They really did it this time in image recognition!
Now you can use your Android mobile to take photos of landmarks, logos, books, contact info and other things and use Google to search for it.
Take a photo of the Coca-Cola logo, and it’ll Google it.
I think this is a pretty cool concept. I really like the idea of dropping the endless sea of the internet and get a full editorial package with a definite ending. I would imagine we could save issues on the device and browse them as we wish, and maybe have an internet connection or USB connection so we can purchase new issues immediately. I think this is the perfect closer of the gap between the internet and physical media, so I hope we see some devices soon.